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Although popular belief credited Pope Gregory the Great with having personally invented Gregorian chant (in much the same way that a biblical prophet would transmit a divinely received message), scholars now believe that the chant bearing his name arose from a later Carolingian synthesis of Roman and Gallican chant, and that at that time the attribution to Gregory I was a "marketing ruse" to invest it with a sanctified pedigree, as part of an effort to create one liturgical protocol that would be practised throughout the entire Holy Roman Empire.

The church modes are based on six-note patterns called hexachords, the main notes of which are called the dominant and the final.Until the mid-1990s, it was widely accepted that the psalmody of ancient Jewish worship significantly influenced and contributed to early Christian ritual and chant.This view is no longer generally accepted by scholars, due to analysis that shows that most early Christian hymns did not have Psalms for texts, and that the Psalms were not sung in synagogues for centuries after the Destruction of the Second Temple in AD 70.It is the music of the Roman Rite, performed in the Mass and the monastic Office.Although Gregorian chant supplanted or marginalized the other indigenous plainchant traditions of the Christian West, Ambrosian chant still continues in use in Milan, and there are musicologists exploring both that and the Mozarabic chant of Christian Spain.

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The oldest manuscripts of Gregorian chants were written using a graphic notation which uses a repertoire of specific signs called neumes; each neume designates a basic musical gesture (see musical notation).